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Jenniffer Omaitz is a painter and installation artist based in Cleveland, OH.
Jenniffer explains her work by saying, “My work explores states of change between order and chaos that relate to this experience of environmental shift. Painting and Installation Art are modes of communicating the sensitivity to environmental factors; these practices provide me with a cadence and context through which to communicate utopian elegance, or dystopian plight. Installation explores this order/chaos in theory by invoking parts of abstraction, architecture, landscape, natural disaster, and a tactile response image making. In 2014, I started a series of work titled, Solid Movement. Solid Movement is an investigation into gesture and its ability to encapsulate time and psyche, fuse internal and external, and record conceptual state changes in solidified form. This series struggles to define beauty, exploring abstraction as incident and artifact of the process in which paint is applied. There is a constant struggle between surface and ground; between paint and the boundaries within the painting. This series of work attempts to unify my sculptural endeavors with my interests in painting. Over the past five years I have explored site-specific installation. The installations built encompass three-dimensional landscapes frozen in the midst of a chaotic event. This “event” is reminiscent of a landscape that has been caught in a fictitious disaster. By incorporating drawing and painting with objects and found materials, this ignites play between the structure of the gallery and the theatrics of the painterly gesture and their united associations. This sense of theater is a formal extension of the shadows cast by gallery lights, the configuration of the wall, ceiling, and the intrinsic architectural nature of the given space. Overall, my work explores space; both physical and psychological space. This refers to “Space” as it is applied to a two dimensional surface, or a three dimensional location.”